The Massacre in the Main Temple. 1922–1923.
"Bas-Reliefs from Temple of the Warrior Cluster". Earl H. Morris, Jean Charlot, and Ann Axtell Morris. The Temple of the Warriors at Chichén Itzá, Yucatan. 2 volumes. Publication Number 406. Washington, D.C.: Carnegie Institution of Washington, 1931, Volume 1, pp. 229–346. B1
A Preliminary Study of the Ruins of Cobá, Quintana Roo, Mexico. J. Eric Thompson, Harry E. D. Pollock, and Jean Charlot. Publication Number 424. Washington, D.C.: Carnegie Institution of Washington, 1932.
Mexican Art and the Academy of San Carlos, 1785–1915. Foreword by Elizabeth Wilder Weismann. Texas Pan-American Series. Austin: University of Texas Press, 1962. B8
Naʻauao (The Light Within). Honolulu: University of Hawaii Press, 1962. B9
The Mexican Mural Renaissance, 1920–1925. 2nd edition. New Haven, CT and London: Yale University Press, 1967. Second printing, February 1967. This printing contains corrections of the 1963 first edition. B10
See "Writings Related to The Mexican Mural Renaissance, 1920–1925" in the "English Texts" section.
See El renacimiento del muralismo mexicano 1920–1925 (1985) for the Spanish translation.
Laukiamanuikahiki: Snare that Lures a Farflung Bird. A Bilingual Playlet, Hawaiian–English. Honolulu: privately printed, 1964. B12
Jean Charlot: A Catalog of Books, Portfolios, Writings, Murals. Jean Charlot and Zohmah Charlot. Honolulu: private printing, 1968. B16
El Artista en Nueva York (cartas a Jean Charlot, 1925–1929, y tres textos inéditos). José Clemente Orozco and Jean Charlot. Prólogo de Luis Cardoza y Aragón; Apéndices de Jean Charlot. Mexico City: Siglo Veintiuno, 1971. B18
An Artist on Art: Collected Essays of Jean Charlot. Honolulu: University Press of Hawaii, 1972. B19
Doors to Many Mansions. Panels designed by Jean Charlot as Episodes from the Life of Christ. Crafted in copper repoussé by Evelyn Giddings. Comments by Jean Charlot.
"Laukiamanuikahiki: Snare That Lures A Farflung Bird". 1973. Previously unpublished. B12
The Artist in New York: Letters to Jean Charlot and Unpublished Writings, 1925–1929. José Clemente Orozco. Foreword and notes by Jean Charlot; letters and writings translated by Ruth L. C. Simms. The Texas Pan American Series. Austin and London: University of Texas Press, 1974. B18
Cartoons Catholic: mirth and meditation from the brush and brain of Jean Charlot, with commentary by F. J. Sheed. Huntington, Indiana: Our Sunday Visitor, Inc., 1978. B23
See The Mexican Mural Renaissance, 1920–1925 (1967) for the English original.