The Massacre in the Main Temple. 1922–1923.
# "Bas-Reliefs from Temple of the Warrior Cluster". Earl H. Morris, Jean Charlot, and Ann Axtell Morris. The Temple of the Warriors at Chichén Itzá, Yucatan. 2 volumes. Publication Number 406. Washington, D.C.: Carnegie Institution of Washington, 1931, Volume 1, pp. 229–346. B1
# A Preliminary Study of the Ruins of Cobá, Quintana Roo, Mexico. J. Eric Thompson, Harry E. D. Pollock, and Jean Charlot. Publication Number 424. Washington, D.C.: Carnegie Institution of Washington, 1932.
# "A short analysis of Stela 20 at Nohoch Mul". Jean Charlot. Page 168. Quoted in "Monuments of the Cobá Region", J. Eric Thompson, pp. 131–184. B2
# "Art Analysis of the Macanxoc Stelae". Jean Charlot. Pages 185–192. B2
# The Stations of the Cross from drawings by Jean Charlot. Line cuts after brush-and-ink drawings. Berkeley Heights, New Jersey: The Sower Press, 1935.
Way of the Cross (1935–1938)
# Pictures and Picture Making: A Series of Lectures. Hollywood: privately mimeographed by the Walt Disney Studios, 1938. S4 U1
# Art from the Mayans to Disney. New York and London: Sheed & Ward, 1939. B3
# Charlot Murals in Georgia. Introduction by Lamar Dodd, photographs by Eugene Payor, commentaries by Jean Charlot. Athens: University of Georgia Press, 1945. B4
# Art-Making from Mexico to China. New York: Sheed & Ward, 1950. B5
# Dance of Death: 50 Drawings and Captions. New York: Sheed & Ward, 1951. B6
# Choris and Kamehameha. Honolulu: Bishop Museum Press, 1958. B7
# Village Fiesta. N.d. . Syracuse, NY: The Mural Program, Syracuse University. B58
# Mexican Art and the Academy of San Carlos, 1785–1915. Foreword by Elizabeth Wilder Weismann. Texas Pan-American Series. Austin: University of Texas Press, 1962. B8
# Naʻauao (The Light Within). Honolulu: University of Hawaii Press, 1962. B9
# The Mexican Mural Renaissance, 1920–1925. Second edition. New Haven, CT and London: Yale University Press, 1967. Second printing, February 1967. This printing contains corrections of the 1963 first edition. B10
# Three Plays of Ancient Hawaii. Honolulu: University of Hawaii Press, 1963. B11
# Laukiamanuikahiki: Snare that Lures a Farflung Bird. A Bilingual Playlet, Hawaiian–English. Honolulu: privately printed, 1964. B12
# Posada’s Dance of Death. New York: Pratt Graphic Art Center, 1964. With four relief engravings by José Guadalupe Posada; title page wood engraving by Fritz Eichenberg. B13
# Jean Charlot: A Catalog of Books, Portfolios, Writings, Murals. Jean Charlot and Zohmah Charlot. Honolulu: private printing, 1968. B16
# Mowentihke Chalman: Los Peregrinos de Chalma: Pieza Para Muñecos. Mele. Honolulu, 1969. Edited version in Escritos Sobre Arte Mexicano. B17
# El Artista en Nueva York (cartas a Jean Charlot, 1925–1929, y tres textos inéditos). José Clemente Orozco and Jean Charlot. Prólogo de Luis Cardoza y Aragón; Apéndices de Jean Charlot. Mexico City: Siglo Veintiuno, 1971. B18
# An Artist on Art: Collected Essays of Jean Charlot. Honolulu: University Press of Hawaii, 1972. B19
# Volume 1: Miscellany.
# Volume 2: Mexican Art.
# Doors to Many Mansions. Panels designed by Jean Charlot as Episodes from the Life of Christ. Crafted in copper repoussé by Evelyn Giddings. Comments by Jean Charlot.
# Doors to Many Mansions. First edition. Honolulu: Punahou School, 1973. B70
# Doors to Many Mansions. Second edition. Honolulu: Punahou School, 2016.
# "Laukiamanuikahiki: Snare That Lures A Farflung Bird". 1973. Previously unpublished. B12
# The Artist in New York: Letters to Jean Charlot and Unpublished Writings, 1925–1929. José Clemente Orozco. Foreword and notes by Jean Charlot; letters and writings translated by Ruth L. C. Simms. The Texas Pan American Series. Austin and London: University of Texas Press, 1974. B18
# Two Hawaiian Plays. Hawaiian and English. Honolulu: published by the author, distributed by the University Press of Hawaii, 1976. B12 B15 B21
# Inscriptions. 1978 Tide Calendar. Hawaiian and English, to photographs by Robert Wenkam; edited by John Charlot. Honolulu: Dillingham Corporation, 1977. B76
# Cartoons Catholic: mirth and meditation from the brush and brain of Jean Charlot, with commentary by F. J. Sheed. Huntington, Indiana: Our Sunday Visitor, Inc., 1978. B23
# El renacimiento del muralismo mexicano 1920–1925. New Haven: Yale University Press, 1963; reprint, Mexico City: Editorial Domés, 1985. B10
Contact, copyright, credit
Jean Charlot & The Jean Charlot Foundation